About

Winners of First Prize at the Plowman Chamber Music Competition, the Setas Piano Trio has been praised for its vibrant energy and deep musical commitment. They are passionate about cultivating deeper, more meaningful connections with diverse audiences through extraordinary musical narratives. From the concert stage to retirement communities, libraries, and unconventional public venues, the Setas trio aims to create spaces where vulnerability, spontaneity, and presence can thrive through music.

Formed in 2024 at the Peabody Institute of Johns Hopkins University, the ensemble features Colombian violinist Amir Kadamani, American cellist Adrian Bostian, and Canadian pianist David Lecuyer. United by a passion for chamber music, they curate and present programs aimed to spark the audience’s imagination and weave together narratives that extend an invitation for meaningful self-reflection. Recent programs include “Life and Death”, a meditation on mortality and life in the face of death, featuring music by Joan Tower and Schubert; and “Light and Shadow”, an exploration of loss, grief, and emotional transformation through the music of Haydn, Arvo Pärt, Inti Figgis-Vizueta, and Smetana. Recent collaborations include close work with Grammy-award-winning composer Joan Tower and Inti Figgis-Vizueta in crafting these programs.

In summer 2025, the Setas Trio was awarded a full scholarship to attend the Texas Chamber Music Festival and performed a featured recital at the Van Cliburn Concert Hall. Other recent performances include an invitation to perform at the Music in the Valley Chamber Music Series, Noon 30 recital series, Ti Palais de Beaubito, and the Bloomberg Center in DC. Similarly, the Setas Trio has performed numerous concerts at communities like Senior Living, Roland Park Place, Springwell Senior Living, the Walters Art Museum, and the Enoch Pratt Library.

The Setas Trio has received continued mentorship from Annie Fullard, Marian Hahn, Michael Kannen, Amit Peled, Alexander Shtarkman, Richard Young, and Herbert Greenberg. Similarly, they have participated in masterclasses with the Fry Street Quartet and Wu Han.

Members

David Lecuyer

David Lecuyer

Amir Kadamani

Amir Kadamani

Adrian Bostian

Adrian Bostian

David Lecuyer

Piano

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Canadian-born pianist David Lecuyer is an avid chamber musician dedicated to helping audiences connect with music through thoughtfully designed concert programs that reflect universal life experiences.

David is an award-winning soloist, chamber musician, and collaborative pianist. He is a prizewinner of the Canadian Music Competition, the Festival-Concours of Sherbrooke, the Sherbrooke University Concerto Competition, and the Mary Graham Lasley Competition. In 2024, he co-founded the Setas Trio with violinist Amir Kadamani and cellist Adrian Bostian. The ensemble has since established itself as an active presence on the North American chamber music scene, earning First Prize at the Plowman Chamber Music Competition.

As a soloist, David has appeared with both the Sherbrooke Youth Symphony Orchestra and the Sherbrooke University Symphony Orchestra. His recent engagements have brought him to distinguished venues throughout Virginia, Washington D.C., Maryland, and Texas, including a notable performance for the Japanese Ambassador. He maintains an active performance schedule as a chamber musician, touring regularly across several U.S. states with the Setas Trio and collaborating frequently with vocalists and instrumentalists.

An in-demand collaborative pianist, David has served as an opera répétiteur and staff pianist at Shenandoah University, where he worked closely with singers and conductors in both operatic and recital repertoire. He currently holds the position of staff collaborative pianist at the Peabody Institute. His recent chamber music collaborations include recital tours with tenor Drew Young and mezzo-soprano Dina Spyropoulous, as well as numerous performances in academic and professional settings.

David has held a graduate assistantship at the Peabody Institute of Johns Hopkins University, where he has served as a graduate teaching assistant in music theory. In addition to his academic appointments, he has served on the faculty of Camp Encore/Coda and Val-des-Sources music camp, contributing to the musical development of young artists. His engagement with living composers has led him to premiere works by Canadian composer Benoît Groulx and collaborate actively with American composers Joan Tower and Inti Figgis-Vizueta, reflecting a strong commitment to contemporary music.

Born in Montreal, David earned his Bachelor's degree from Sherbrooke University and a Master's degree from Shenandoah University, where he studied with renowned Beethoven specialist John O'Conor. He recently completed a Graduate Performance Diploma at the Peabody Institute, studying under Alexander Shtarkman. His chamber music training has been shaped by mentors including Annie Fullard, Marian Hahn, and Michael Kannen, and he has worked with distinguished artists such as Richard Goode, André Laplante, Wu Han, and Jean-Efflam Bavouzet.

David is deeply inspired by the Germanic musical tradition and seeks to perpetuate traditions of piano playing associated with earlier generations of pianists. His artistic vision is further enriched by a deep love of nature, philosophy, and literature, which continues to inform his musical interpretations and guide his ongoing artistic journey.

Amir Kadamani

Violin

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Amir Kadamani-González is a Colombian violinist and composer dedicated to facilitating experiences of inner discovery and transformation through powerful performance, reflective programming, and conscious listening.

He has appeared as a soloist with the Cali Philharmonic Orchestra and the Xaverian University Symphony. Similarly, he has performed as part of chamber groups and orchestras under the auspices of the Rheingau Musik Festival, Verbier Festival, Styriarte Festival, Young Euro Klassic Festival, Pacific Region International Music Academy, Eastern Music Festival, Curtis Institute's Summerfest, Colorado College Music Festival, Interlochen Arts Camp, Icicle Creek Chamber Music Center, FEMUSC, Texas Chamber Music Institute, The Next Fest of Emerging Artists, Windwood Music Festival, Festival Musica sull'Acqua, and Mount Vernon Virtuosi. Similarly, he is a substitute violinist with the Baltimore Symphony.

Kadamani-González is a member of the Setas Piano Trio, which was awarded First Prize at the 2025 Plowman Chamber Music Competition. His great interest in new music has led to collaborations with composers Joan Tower, Pascal Le Boeuf, Jungyoon Wie, Peter Askim, Inti Figgis-Vizueta, Luke Haaksma, and Du Yun.

In recognition of his commitment to music as a force for social development, he was named the 2022 winner of the Vision Possible Scholarship Competition. He has also served as a mentor to young underprivileged musicians through his volunteer work with Through the Staff. As a speaker, Kadamani González has presented TEDx talks exploring music as a medium for poetic historical representation. During the 2025–2026 season, he is serving as Musician-in-Residence at Springwell Senior Living in Baltimore, presenting weekly programs that engage and uplift the local community.

Also an emerging composer, Kadamani-González seeks to bring traditional Colombian idioms to the concert stage. His recent works include Fuga Colombiana for two violins and Fantasía Bambuco for solo violin.

Kadamani-González holds both a Master of Music and a Graduate Performance Diploma from the Peabody Institute, where he is currently completing a Doctorate of Musical Arts under the guidance of Herbert Greenberg. As a student at Peabody, he was awarded the J.C. Van Hulsteyn Violin Award (2024) and the Ida Heyser Memorial Violin Award (2025). He earned his Bachelor of Music, summa cum laude, from the Shepherd School of Music at Rice University, studying with Kathleen Winkler. Other influential mentors include Richard Young, Annie Fullard, Marian Hahn, Michael Kannen, and Maria Lambros.

Outside of music, Amir enjoys literature, good tea, nature, and the company of animals—especially his three cats, Nucita, Mia, and Mey.

Adrian Bostian

Cello

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American cellist Adrian Bostian finds artistic inspiration in reimagining the classical canon as a way to cultivate meaningful connections with audiences and colleagues. Through both performance and collaboration, he seeks to bring renewed perspective to established repertoire, lesser-known works, and music by living composers. He believes in honesty—finding personal meaning in works old and new, and sharing something genuine with audiences.

Adrian is a founding member of the Setas Piano Trio, which was awarded First Prize at the Plowman Chamber Music Competition. Recognized for its cohesiveness, energy, and reflective programming, the trio has recently been featured on the Music in the Valley Concert Series and at the Johns Hopkins Bloomberg Center.

As an orchestra musician, he has served as principal cellist of the Peabody Symphony Orchestra and the Peabody Conductors Orchestra. Similarly, Adrian has performed chamber music for the Red Cedar Chamber Music Organization and as a member of the Mount Vernon Virtuosi.

In addition to his work as a cellist, Adrian is a proficient—and during the holidays, often overworked—pianist, and has performed the celesta part in The Nutcracker on more than twenty occasions.

Adrian is currently pursuing a Bachelor of Music degree at the Peabody Institute of The Johns Hopkins University, where he studies with Amit Peled. He has performed in masterclasses for artists including Emmanuel Ax, Wu Han, the Fry Street Quartet, Natasha Brofsky, and Richard Aaron. Other influential mentors include Annie Fullard, Michael Kannen, Marian Hahn, Maria Lambros, John Moran, and Alexander Shtarkman.

Listen

Joseph Haydn - Piano Trio in C major, Hob. XV:27


Franz Schubert - Piano Trio No. 2 in E-flat major

Movement II: Andante con moto

Movement IV: Allegro moderato


Joan Tower - Trio Cavany

Trio Cavany is a dynamic and rhythmically driven work for piano trio (violin, cello, and piano) composed by American composer Joan Tower. The piece showcases Tower’s signature energetic style, marked by shifting rhythms, bold gestures, and strong interplay between the instruments. It unfolds in a single movement, with tightly woven textures and vigorous momentum, often emphasizing percussive piano figures and lyrical string lines. Trio Cavany reflects Tower's modern American voice—bold, expressive, and rhythmically alive.

Programs

Concert Program I

"Life and Death"

Trio Cavany

Joan Tower

(b. 1938)

— Intermission —

Piano Trio No. 2 in E♭ Major, D. 929

Franz Schubert

(1797-1828)

I. Allegro

II. Andante con moto

III. Scherzo: Allegro moderato

IV. Allegro moderato

Program Notes

This program presents two profound narratives that grapple with the question of death—and life in the face of death. Trio Cavany by Joan Tower is a poetic tour de force that explores the loneliness of each instrument through solo cadenzas, later integrating the longing and despair of each individual voice into shared experiences of uncertainty, desolation, ecstasy, and rage.

Schubert’s masterful Trio No. 2 in E-flat poses similarly compelling questions about mortality and the inherent goodness of life. Composed for a concert commemorating the first anniversary of Beethoven’s death in 1827, the work is never far from Beethoven’s loud absence, even as it ventures into Schubert’s unique meditations on his own mortality. The direct reference to a Swedish folk song in the grief-stricken second movement—its lyrics proclaiming “Farewell” to the unmistakable motivic downward octave leap—attests to the persistence of this existential inquiry. Yet in the face of such deep uncertainties, this work remains unabashedly triumphant, filled with inextinguishable exuberance and joy.

May the words of director Orson Welles guide us as we seek meaning in the journeys offered by these masterpieces: “We're born alone, we live alone, we die alone. Only through our love and friendship can we create the illusion for the moment that we're not alone.” Whilst partaking in this music together, we are not alone.

Concert Program II

"Light and Shadow"

Piano Trio No. 43 in C Major, Hob. XV:27

Franz Joseph Haydn

(1732-1809)

I. Allegro

II. Andante

III. Presto

Mozart-Adagio

Arvo Pärt

(b. 1935)

Shadow in the Garden

Inti Figgis-Vizueta

(b. 1994)

— Intermission —

Piano Trio in G minor, Op. 15

Bedřich Smetana

(1824-1884)

I. Moderato assai

II. Allegro, ma non agitato

III. Finale: Presto

Program Notes

One of music’s unique capabilities is its ability to traverse the entire emotional spectrum with remarkable economy. Only a few notes can suffice to elicit a tear, the shadow of a smile, or the lightness of a tapping foot. All the pieces in this program span this full range of emotion: from the darkest corners of desperation and grief to the most luminous encounters with self-realization and bliss. Yet this music does not simply present contrasting emotions in a neatly segregated manner. These works do the hard work—as only the very best music can—of placing these seemingly disparate emotional states in constant dialogue: arguing with one another, consoling each other, and ultimately seeking a deeper sense of human reconciliation.

While this Haydn Trio is most notable for its seemingly uncontainable joy, exuberance, and outright comedy, it is always just a step away from fleeting encounters with pathos and disorder.

The soul-searching Mozart-Adagio by Arvo Pärt was composed after the death of his dear friend Oleg Kagan, whom he regarded as a Mozart interpreter of the highest calibre. The piece is a deeply personal re-composition of Mozart’s beloved Adagio from the Piano Sonata in F major, K. 280. Pärt’s subtle yet subversive commentary permeates the entire work, like a shadow searching for its source. Inti Figgis-Vizueta’s Shadow in the Garden beautifully complements this piece with its metaphysical, poetic, and at times skin-crawling depiction of the shadowy presences in our world.

There is arguably no better work to depict a journey through deep loss, cherished memory, and profound reconciliation than Smetana’s Piano Trio. Composed after the tragic death of his eldest daughter and namesake, Bedřiška, the trio expresses grief and sorrow most vividly through the unmistakable descending chromatic line that haunts the work. Yet this sorrow is continually illuminated by moments of pure innocence and unconditional love—memories fragrant with uncomplicated joy and delight. In the end, a deep transformation takes place, inviting us to look toward our darkest shadows with light-filled eyes.

Remember: “There’s a crack in everything. That’s how the light gets in.” – Leonard Cohen

Calendar

Stay tuned for upcoming performances and events!


Past Events

Noon30 Concert Series

December 5th, 2025 12:30 PM

Griswold Hall, Baltimore, MD

Springwell Senior Living Community

December 6th, 2025 3:30 PM & 7:00 PM

2211 W Rogers Ave, Baltimore, MD

Chamber Music Recital

December 10th, 2025 4:00 PM

Goodwin Hall, Baltimore, MD

Peabody at the Library Concert Series

November 18th, 2025 2:00 PM

Enoch Pratt Free Library – Southeast Anchor Branch
3601 Eastern Ave, Baltimore, MD

House Concert

October 18th, 2025 7:00 PM

Capitol Hill, Washington DC

Music in the Valley Concert Series

September 28th, 2025 5:30 PM

St. John's Church, Western Run Parish, Reisterstown, MD

Springwell Senior Living Community

September 27th, 2025 3:30 PM

2211 W Rogers Ave, Baltimore, MD

Texas Chamber Music Institute Recital

June 1st, 2025 7:00 PM

Van Cliburn Hall, Fort Worth, TX

House Concert

May 17th, 2025 7:00 PM

Capitol Hill, Washington DC

Community Concert

May 11th, 2025 3:00 PM

Roland Park Place, Baltimore, MD

Noon30 Concert Series

May 9th, 2025 12:30 PM

Goodwin Hall, Baltimore, MD

Chamber Music Concert

April 11th, 2025 12:30 PM

Johns Hopkins Bloomberg Center, Washington DC

Plowman Competition Finals

March 23rd, 2025 1:00 PM

Missouri Theatre, Columbia, MO

Graduate Performance Diploma Degree Recital

February 13th, 2025 6:00 PM

Goodwin Hall, Baltimore, MD

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